Palace Pandemonium
- Buckingham Palace
- 1914-05
A henpecked husband plots revenge on his boastful bachelor friend by marrying him to a seemingly meek girl who turns out to be anything but.
Chrissie White, one of Hepworth Studios' biggest stars, heads up this feisty battle-of-the-sexes comedy about an independent young lady who, for the sake of a rich husband, poses as the epitome of Victorian femininity - weak, docile and submissive. But when he steps out of line the gloves come off to reveal 'Physical Culture Phyllis', who punches well above her weight!
Pankhurst's strategy was simple but clever: at every public meeting or gathering, Suffragettes should stand up and shout "votes for women!". But how to make more noise in silent film? With moving images becoming increasingly important, the suffragettes needed to be not just heard, but seen. Newsreels were noticeably more neutral in their reporting than newspapers, so their cameramen were invited to big demonstrations, where banners and placards were carefully placed for the cameras.
Suffragettes (often played by men in drag) were common objects of ridicule in film comedies. But some characterisations were more ambiguous, and comedy could even - sometimes - give its female protagonists the freedom to make one hell of a noise.