Palace Pandemonium
- Buckingham Palace
- 1914-05
A budding mini-suffragette is determined to turn a local policeman into the butt of her jokes.
The knee-slapping mini-minx in this film doesn't much care about votes for women. All she has taken from the women's suffrage movement is that policemen are fair game. At this time the Women's Social and Political Union was advocating "deeds not words" in the cause of women' suffrage, with even the prime minister not safe from physical attack. Such events were perfect fuel for the budding British film industry to ignore the serious issues and turn the lot into a slapstick chase comedy.
The Clarendon Film Company turned out at least a dozen Didums comedies presided over by the studio's house director Wilfred Noy between 1910 and 1912, all following the same 'naughty little child' template.
Pankhurst's strategy was simple but clever: at every public meeting or gathering, Suffragettes should stand up and shout "votes for women!". But how to make more noise in silent film? With moving images becoming increasingly important, the suffragettes needed to be not just heard, but seen. Newsreels were noticeably more neutral in their reporting than newspapers, so their cameramen were invited to big demonstrations, where banners and placards were carefully placed for the cameras.
Suffragettes (often played by men in drag) were common objects of ridicule in film comedies. But some characterisations were more ambiguous, and comedy could even - sometimes - give its female protagonists the freedom to make one hell of a noise.