Here to Stay
From the collection of
From the collection of
A short documentary about the Newham 7 case and everyday racism and police harassment experienced by the Asian community of Newham.
A mid-1980s look at the state of race relations in East London’s Newham, this documentary features interviews with several members of the local Asian community. Their harrowing testimonies of racial harassment, and verbal and physical abuse, perpetuated not just by local thugs but also by the members of the police paint a grim picture of what it was like to be living in this part of London as a non-white person. The film’s main focus is an incident that happened outside a local pub in April 1984. After a confrontation between Asian and white youths turned violent, the police ended up arresting a number of young men from the Asian community who came to be known as the Newham 7 – while their white counterparts got off scot-free. There is swearing and scenes of violent protest as the community comes together in support of the accused, protesting against the injustice and the inadequate police response to ongoing racist attacks. Some of the Newham 7 are featured in the film, describing their ordeal and unfair treatment at the hands of police. Towards the end, a respondent expresses hope for the future – he observes that the attitudes within the Asian community are slowly changing and they are now more likely to stand up for themselves.
This film is from Newham Archives and Local Studies Library, a member of the London's Screen Archives Network.
The relationship between activism, protest and the moving image goes back almost to the beginning of the medium. Suffragettes and peace movements in the 1910s recognised its potential to document and advocate for a cause, and ever since, activist movements, workshops and co-operatives have been creating and curating moving image to give voice to concerns, critiques, and histories not adequately served by mainstream media.
The time span of the material on BFI Replay covers a period of intense protest and socio-political awakenings (and reckonings). Many of the movements shaping the activist landscape in the UK in the 1980s were intrinsically tied to the affordances of videotape, and the ability to document and represent themselves. Various, and perhaps previously unseen, forms of ‘organising’ could be shown, such as the miners’ wives who shouldered their communities and built solidarity: in the tapes dedicated to them we see social and political activation unfurling in front of our eyes.
And we can still see a tug-of-war between the view from the outside, and from within. Channel 4 was key to funding video workshops, and LWT created the London Minorities Unit, but the power of self-organising, teaching how to film, interview and give your own account, and videotape’s rapid response meant people’s protest films could speak for themselves. So turn on, tune in, and stand up for your rights.