Family Viewing Video Rental Shop
From the collection of
From the collection of
A look at how society reacted to the tabloid sensation of so-called 'video nasties' during the home video boom of the 1980s.
Eamonn Holmes reports from the Belmont Road in east Belfast, where the new Family Viewing Video Library had recently opened. The owner, Richard Gunning, explains the thinking behind the new venture and states that despite horror and 'blue' movies not being stocked it is still no problem to fill the shelves. He worries that as soon as people hear the word 'video' their next thought was of the word 'nasty'. At this point there is an insert of adult movies from the shelves of an another outlet.
It is also reported that Family Viewing won't even stock the then-current Clint Eastwood release, Sudden Impact, because of its violence. Despite, or because, of the limited range of videos on offer the establishment has attracted 700 members in just 13 weeks. This report highlights the backlash against so-called 'video nasties' in the mid-80s, with the tabloid press of the time running lots of stories on the alleged corrupting influence of home video.
Good Evening Ulster was the weekday tea-time local news round-up for Ulster Television throughout much of the 1980s and helped to launch the careers of household names such as Gloria Hunniford and Eamonn Holmes.
The cinema has always been so much more than just a place to watch films. At the heights of its powers, the silver screen stood for spectacle, sophistication, electricity and elegance as well as entertainment, and the very venues themselves were star attractions. These architectural marvels stood proud in cities and towns up and down the country, enthralling audiences in their thousands in the days when "going to the pictures" was a national pastime.
For over a century, cinema has endured, and cinemas have changed with the times. The rise of television, video and home cinemas may have splintered the cultural dominance of the movies while bringing films to smaller and more convenient screens, but the thrill of the communal experience remains - as do many of the monumental structures themselves, whether they have been converted into bingo halls, renovated into plush modern picture houses, or left to loom over the high street.
This collection celebrates the cinema as both a cultural icon and a haven for generations of starry-eyed dreamers, and documents the changing face of filmgoing from the bygone bioscopes and the lavish picture palaces of yesteryear to the sticky-floored multiplexes of today. So dim the lights, grab your popcorn, and lose yourself in the magic of the silver screen.