The Fatal Hand
- 1907
This burlesque film fantasy has striking sexual overtones - and a surprising feminist twist
Man creates woman in his magic drawing, but as she is liberated from her frame prison she starts to demand more. Walter Booth was 'lightning sketch' artist and maker of 'trick' films for Robert Paul. In this somewhat proto-feminist film (presumably inspired by the Greek legend of Pygmalion) his artist character draws a young woman, who magically comes to life... in sections. Each time she asks for further body parts until she is complete. But, understandably, she flees the moment he offers her the unwanted 'gift' of a baby.
The multi-talented Robert Paul (1869-1943) was the first British filmmaker to project film for a paying audience, in 1896. A contemporary of the Lumiere brothers, Paul had been producing film, in partnership with Birt Acres, for his own brand of Kinetoscope viewer since April 1895. Shortly after, he began producing for his Theatrograph and Animatographe machines, enjoying a long run at the Alhambra in Leicester Square. As an engineer, Paul made a number of significant innovations - such as an intermittent mechanism for efficiently projecting film. But he also made key innovations in film language, such as the first two-shot fiction film, Come Along Do! (1898). To cap it all, he was a shrewd businessman, with an instinctive grasp of audience tastes.