The Fatal Hand
- 1907
A boy being supervised by his grandmother sees a chance for mischief
Naughty boys and girls were a popular staple of early film comedy. This mischievous little tyke certainly has a good eye for an opportunity, revenging himself on his tyrannical grandmother by cunningly applying a pair of bellows just as she has her face buried in a sooty stovepipe. It's a variation on the classic foot-on-the-hosepipe gag, as immortalised on film in the Lumiere Brothers L'Arroseur arrosé (France, 1895), remade in Britain by Bamforth as The Biter Bit (1900).
The multi-talented Robert Paul (1869-1943) was the first British filmmaker to project film for a paying audience, in 1896. A contemporary of the Lumiere brothers, Paul had been producing film, in partnership with Birt Acres, for his own brand of Kinetoscope viewer since April 1895. Shortly after, he began producing for his Theatrograph and Animatographe machines, enjoying a long run at the Alhambra in Leicester Square. As an engineer, Paul made a number of significant innovations - such as an intermittent mechanism for efficiently projecting film. But he also made key innovations in film language, such as the first two-shot fiction film, Come Along Do! (1898). To cap it all, he was a shrewd businessman, with an instinctive grasp of audience tastes.