The Fatal Hand
- 1907
Grandma sews a patch on her grandson's trousers
His Only Pair' was the title of several Victorian sentimental paintings - usually depicting a poor boy waiting in some embarrassment while his trousers are patched by a grandfather or grandmother. Nakedness and poverty are the twin causes of his shame. Robert Paul's film version makes this a comic situation by introducing a group of the boy's friends pointing and laughing through the window.
The scene is filmed against a cottage interior set, with a window and a practical door, through which the friends enter. The ensuing scrap is stopped short by granny shooing them all out of the door.
The multi-talented Robert Paul (1869-1943) was the first British filmmaker to project film for a paying audience, in 1896. A contemporary of the Lumiere brothers, Paul had been producing film, in partnership with Birt Acres, for his own brand of Kinetoscope viewer since April 1895. Shortly after, he began producing for his Theatrograph and Animatographe machines, enjoying a long run at the Alhambra in Leicester Square. As an engineer, Paul made a number of significant innovations - such as an intermittent mechanism for efficiently projecting film. But he also made key innovations in film language, such as the first two-shot fiction film, Come Along Do! (1898). To cap it all, he was a shrewd businessman, with an instinctive grasp of audience tastes.