The Fatal Hand
- 1907
A ballerina enjoys a fantastical dance
Trick' films were often structured around a dream, in imitation of scenes from pantomimes. Characters were transformed - in this case by falling asleep in a cosy armchair in front of the fire - and transported through a series of elaborate and sometimes fantastical settings, before returning to the 'real' world. Our young heroine finds herself beneath the sea, in the frozen Arctic and a fiery inferno, before waking to find her shoe on fire from a falling piece of coal.
The original film was tinted appropriately: green for the sea, red for Hell.
The multi-talented Robert Paul (1869-1943) was the first British filmmaker to project film for a paying audience, in 1896. A contemporary of the Lumiere brothers, Paul had been producing film, in partnership with Birt Acres, for his own brand of Kinetoscope viewer since April 1895. Shortly after, he began producing for his Theatrograph and Animatographe machines, enjoying a long run at the Alhambra in Leicester Square. As an engineer, Paul made a number of significant innovations - such as an intermittent mechanism for efficiently projecting film. But he also made key innovations in film language, such as the first two-shot fiction film, Come Along Do! (1898). To cap it all, he was a shrewd businessman, with an instinctive grasp of audience tastes.