The Goldsmiths' Company: a Silversmithing Demonstration

From the collection of

London’s Screen Archives

London’s Screen Archives is a network of over 50 organisations with a collective vision – to preserve and share London’s history on film. The network is managed by Film London and we work with our partners to digitise, preserve, and offer access to their moving image collections.

The Goldsmiths' Company: a Silversmithing Demonstration

A fascinating transformation of silver from sheet to beaker, masterfully hand-raised by a professional silversmith.

The film shows the process of hand-raising a silver beaker. Starting by marking out the blank of silver, the silversmith then cuts the circle out using two different methods: first with hand shears and then with a bench-mounted guillotine. The next process is blocking out the disc by hammering the metal from the outside edge using a blocking hammer onto a wooden tree trunk. After each course of hammering, the silver has to be softened by annealing, which is done by heating it to a dull red heat then letting it cool before putting into a diluted solution of sulphuric acid to remove any copper oxide that forms on the surface of the metal (an alloy of 925 parts silver to 75 parts copper). Once a shallow bowl has been produced, it can now be hammered from the outside using a raising hammer onto a steel raising stake. To thicken the top edge, the raising is also hammered on its edge using the raising hammer - this is called caulking. The process is repeated until the desired size is achieved. The surface of the beaker then has to be smoothed by planishing, which is achieved by using a planishing hammer that has a polished flat head, onto a finishing stake.

This film is from The Goldsmiths' Company Library, a member of the London's Screen Archives Network. The silversmith demonstrating the hand raising process is Dennis Smith (www.smithandharris.com). He has been a lecturer at The London Metropolitan University’s Silversmithing and Jewellery department.

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How We Worked

Explore how yesterday's workplaces were recorded on video - and were infiltrated by it

From the late 19th century, the earliest film cameras captured thronging workers leaving their factories, their faces filling the frames of early films. Ever since, the moving image has had a close relationship with the workplaces where so many of us spend so much of our lives. As both screen technologies and the patterns of work evolved across the 20th century this relationship grew ever more varied and complex. Film itself played every possible working role in relation to all parts of the economy, the public and the private sectors, the factory and the office - observing and documenting, dramatising and satirising, training and campaigning. In the videotape era it became ever easier for cameras to film in workplaces - and for moving images to be shown there, via players and monitors. This collection explores the working worlds of the recent past, marked by economic and technological change, a world so close to our own and yet so far away.

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