Nankin Road, Shanghai
- Nanjing Lu (Nanking Road)
- 1900-08
All the fun of the fair: lovely, lively record of 'Shanghai's Coney Island'.
Despite its racist title (and a patronising intertitle describing the local population as 'John Chinaman'), this is a lovely record of the newly-opened Great World Amusement Park, dubbed 'Shanghai's Coney Island'. The camerawork is quite poetic by newsreel standards, capturing the rhythms of the Ferris wheels, waltzer and swing carousel, and lingering on a family on the Caterpillar.
The funfair was active until at least 1936, when it was mentioned in a tourist guide for Westerners seeking a taste of Shanghai metropolitan life. The fashions of the time are interesting: the men wear mostly Western clothing, complete with fedoras or newsboy caps, while the women retain more traditional cheongsam. The men's dress suggests that the people visiting the fairground were upper class: the Chinese elite were early adopters of Western tailoring. Unlike other Topical Budget newsreel items made in Shanghai in this period, no Westerners are seen, although a few Japanese women - part of Shanghai's international community - mingle with the Chinese people enjoying the rides.
When cinema first came to China's shores, Shanghai was one of the most cosmopolitan cities in the world. The new technology was exhibited at the city's Xu Gardens in August 1896 (just months after the Lumière Brothers' first demonstration in Paris), and the earliest ever filmed images of the city were captured - by Western filmmakers - soon after.
Some of the oldest surviving footage of Shanghai was shot by a British war correspondent, dispatched to China to cover the 1900 Boxer Rebellion. It captures the teeming multi-national traffic on the central Nanjing Lu thoroughfare, from gliding bicycles and rattling rickshaws, to a Sikh police detachment and German soldiers enjoying a cigarette. Shanghai's famous waterfront, the Bund, captivated numerous filmmakers in the 20s and 30s, and several films here show a remarkable thronging harbour life, with sampans clustering beneath the Bund's baroque temples of commerce and leisure.
Also featuring in this collection of newsreels, travelogues and home movies are scenes of the Japanese occupation of the city in 1937, and the death and destruction that followed. These are sombre, even harrowing scenes, but a crucial chapter in Shanghai's history.