A City of Chaos Topical Budget 815-1

Shanghai
1927-04-07
Silent
1m

Scenes of panic on the streets of Shanghai as Chinese citizens seek protection from Communist and Kuomintang violence behind Allied barricades.

This poignant newsreel item captures the panic on the streets of Shanghai as Chinese citizens seek protection from Communist and Kuomintang violence behind Allied barricades. Within days of its release Chiang Kai-shek would declare martial law in the city and his Kuomintang would initiate the Shanghai Massacre, a brutal purge of Communists, including mass arrests and executions.

Unlike some other British newsreel items filmed in Shanghai at the time, this film focuses on the Chinese reaction to the grim events and shows ordinary people fleeing the conflict, often struggling with large bundles of possessions and furniture. The streets are swollen with refugees, and glimpses of Western military uniforms and barbed wire barricades are also on view. Towards the end of the film, a man is seen carrying a traditional shoulder yoke, with one basket full of belongings and the other holding a small child.

Shanghai - Pearl of the Orient

Western filmmakers captured the first moving images of one of the world's great cities. These remarkable films preserve a metropolis whose streets and waterways teem with life.

When cinema first came to China's shores, Shanghai was one of the most cosmopolitan cities in the world. The new technology was exhibited at the city's Xu Gardens in August 1896 (just months after the Lumière Brothers' first demonstration in Paris), and the earliest ever filmed images of the city were captured - by Western filmmakers - soon after.

Some of the oldest surviving footage of Shanghai was shot by a British war correspondent, dispatched to China to cover the 1900 Boxer Rebellion. It captures the teeming multi-national traffic on the central Nanjing Lu thoroughfare, from gliding bicycles and rattling rickshaws, to a Sikh police detachment and German soldiers enjoying a cigarette. Shanghai's famous waterfront, the Bund, captivated numerous filmmakers in the 20s and 30s, and several films here show a remarkable thronging harbour life, with sampans clustering beneath the Bund's baroque temples of commerce and leisure.

Also featuring in this collection of newsreels, travelogues and home movies are scenes of the Japanese occupation of the city in 1937, and the death and destruction that followed. These are sombre, even harrowing scenes, but a crucial chapter in Shanghai's history.