Nankin Road, Shanghai
- Nanjing Lu (Nanking Road)
- 1900-08
Mesmerising snapshot of a China full of extreme contrasts: Nationalists versus Communists, urban versus rural, advanced versus primitive.
This is a fascinating compilation of scenes showing diversity and disparity in 1940s China. The ancient Forbidden City and Great Wall are followed by Shanghai's metropolitan skyline; primitive farming methods are juxtaposed with mechanised factories; children in rags are contrasted with models wearing the latest fashions; Nationalist commanders and Communist leaders vie for support.
The 38 years from the collapse of the last imperial dynasty in 1911 to the establishment of a Communist government in 1949 were arguably the most turbulent in Chinese history. The country was split both economically and politically. While cities along the eastern seaboard saw rapid growth, the western hinterland remained poor and undeveloped. Meanwhile, the nation was being torn apart by civil war and Japanese incursion. These thought-provoking scenes reveal the immense challenges that would face the People's Republic when it was founded three years after the making of this film.
When cinema first came to China's shores, Shanghai was one of the most cosmopolitan cities in the world. The new technology was exhibited at the city's Xu Gardens in August 1896 (just months after the Lumière Brothers' first demonstration in Paris), and the earliest ever filmed images of the city were captured - by Western filmmakers - soon after.
Some of the oldest surviving footage of Shanghai was shot by a British war correspondent, dispatched to China to cover the 1900 Boxer Rebellion. It captures the teeming multi-national traffic on the central Nanjing Lu thoroughfare, from gliding bicycles and rattling rickshaws, to a Sikh police detachment and German soldiers enjoying a cigarette. Shanghai's famous waterfront, the Bund, captivated numerous filmmakers in the 20s and 30s, and several films here show a remarkable thronging harbour life, with sampans clustering beneath the Bund's baroque temples of commerce and leisure.
Also featuring in this collection of newsreels, travelogues and home movies are scenes of the Japanese occupation of the city in 1937, and the death and destruction that followed. These are sombre, even harrowing scenes, but a crucial chapter in Shanghai's history.