At Home in Shanghai and a Trip to Hong Kong
From the collection of
From the collection of
Chinese junks and British battleships appear together in this film depicting the 1928 Armistice Day in Hong Kong.
This remarkable film shows the filmmakers, William and Charlotte Simpson, posing in their Shanghai garden before they are seen playing shuffleboard aboard the S.S. President McKinley en-route to Hong Kong. Chinese junks can be seen jostling alongside British battleships and liners. The film then shows the wreath laying ceremony at Hong Kong's Cenotaph on Armistice Day. The final scenes show the Simpsons at home and William is seen wearing his Remembrance Day poppy.
The carrier seen in this film is quite possibly HMS Hermes, the world's first purpose-built aircraft carrier, though not the first to be commissioned. Until 1938 she spent many years on patrol in Chinese waters before becoming a training ship in the Home Fleet. Recommissioned into the Eastern Fleet she was eventually sunk by Japanese dive-bombers near Sri Lanka in April 1942.
When cinema first came to China's shores, Shanghai was one of the most cosmopolitan cities in the world. The new technology was exhibited at the city's Xu Gardens in August 1896 (just months after the Lumière Brothers' first demonstration in Paris), and the earliest ever filmed images of the city were captured - by Western filmmakers - soon after.
Some of the oldest surviving footage of Shanghai was shot by a British war correspondent, dispatched to China to cover the 1900 Boxer Rebellion. It captures the teeming multi-national traffic on the central Nanjing Lu thoroughfare, from gliding bicycles and rattling rickshaws, to a Sikh police detachment and German soldiers enjoying a cigarette. Shanghai's famous waterfront, the Bund, captivated numerous filmmakers in the 20s and 30s, and several films here show a remarkable thronging harbour life, with sampans clustering beneath the Bund's baroque temples of commerce and leisure.
Also featuring in this collection of newsreels, travelogues and home movies are scenes of the Japanese occupation of the city in 1937, and the death and destruction that followed. These are sombre, even harrowing scenes, but a crucial chapter in Shanghai's history.