Nankin Road, Shanghai
- Nanjing Lu (Nanking Road)
- 1900-08
This unique and beautiful tour of Southeast Asia and China is a treasure trove of picturesque views of Singapore, Hong Kong, Shanghai and Beijing.
An oddity - this unique and beautiful tour of Southeast Asia and China wasn't actually made for the cinema. Its picturesque views of Singapore, Hong Kong, Shanghai and Beijing were collected by director Selwyn Driver, a musical comedian by trade, for his "lecture-entertainments": illustrated talks that were "delightfully artistic, musical, poetical, human, humorous, and yet definitely cultural."
The film would have been projected as background for Driver's own repertoire of jokes, "shrewd observations", sketches, and piano interventions - and delivered, apparently, with "verve and raciness" on Britain's university and private school lecture circuit. Not that you'd have guessed it - these sombre images have an austere fascination with poverty and Oriental 'otherness' that is typical of the most serious 1920s travelogues.
When cinema first came to China's shores, Shanghai was one of the most cosmopolitan cities in the world. The new technology was exhibited at the city's Xu Gardens in August 1896 (just months after the Lumière Brothers' first demonstration in Paris), and the earliest ever filmed images of the city were captured - by Western filmmakers - soon after.
Some of the oldest surviving footage of Shanghai was shot by a British war correspondent, dispatched to China to cover the 1900 Boxer Rebellion. It captures the teeming multi-national traffic on the central Nanjing Lu thoroughfare, from gliding bicycles and rattling rickshaws, to a Sikh police detachment and German soldiers enjoying a cigarette. Shanghai's famous waterfront, the Bund, captivated numerous filmmakers in the 20s and 30s, and several films here show a remarkable thronging harbour life, with sampans clustering beneath the Bund's baroque temples of commerce and leisure.
Also featuring in this collection of newsreels, travelogues and home movies are scenes of the Japanese occupation of the city in 1937, and the death and destruction that followed. These are sombre, even harrowing scenes, but a crucial chapter in Shanghai's history.