A Stilted City. Chungking. China
- Chongqing
- 1930-02-17
Scenes in and around Shaoyang in South Central China are brought to life by mesmerising amateur photography.
This picturesque catalogue of scenes in and around Shaoyang in Hunan Province, South Central China records the rhythms of ordinary town and country living: street and river traffic, farm work, artisan craft, laundry. It's an unromantic portrait of peasant hardships, brought to life by some mesmerising and unexpected images - the shots filmed aboard a moving litter chair are cheeky and delightful.
It's one of six films made for the Methodist Missionary Society by amateur photographer J.G. Pearson – who may well have been related to the Dr George H Pearson who established and managed a hospital in Shaoyang between 1920 and 1951.
China's vast interior remained largely unexplored and undocumented by British filmmakers well into the 20th century. The European concessions and colonies of the east coast - in Beijing, Shanghai and Hong Kong - were an irresistible lure for western visitors. This is a journey into deep and distant China, through extraordinarily diverse landscapes: towering mountains, expansive deserts and along 3000-mile rivers stretching halfway across Asia. It's a record produced by intrepid explorers, missionaries and travellers, who brought portable home-movie cameras to document their holidays, anthropological studies, humanitarian work or evangelical activism.
The films showcase China's remarkable ethnic diversity, meeting Mongol, Miao, Nosu, Uyghur and Manchu minorities on journeys from Kashgar to Inner Mongolia, around Hunan and Sichuan Provinces, and deep into mountainous Yunnan Province, where centuries-old methods of farming and hunting still prevailed. On the way cities too, still uninfluenced by encroaching western modernity: Kunming, Chongqing, Suzhou, Hangzhou and Changsha. But in all of China's vastness, it's not possible to identify the source of these fascinating images. So much is still unknown.