Psyche's Wedding
From the collection of
From the collection of
Bright young things thereto plight troth in a society wedding.
This society wedding shows the veiled bride accompanied by her father suited in a morning suit of top hat, tails and booted in spats. Spats came from the word spatterdashes or spatter guards and sought to protect shoes from mud or rain. This fashion changed in the second half of the 1920s when King George V stopped wearing them.
The bride is offered a bouquet of wheat sheaves from the summer harvest representing fertility. Some excellent fashion is on show in this film with fur trim draping over shoulders in the shape of a fox but mink, possum, raccoon, seal, fox, sable, and beaver were all popular with the upper classes. This is a home movie shot on 16mm film at a time when amateur filmmaking is in its infancy and becoming popular with upper class enthusiasts. The Bright Young Things included artists and authors from aristocratic or moneyed backgrounds typified by F. Scott Fitzgerald's novel The Great Gatsby (1925) and became infamous as a decadent party-going set influenced by jazz, drink, drugs and sex.
Home moviemaking is older than the first cinemas: we've been filming ourselves for well over a hundred years. The birth of the cinematograph in 1895 inspired a plethora of inventions pitched at the domestic market: Kinoras, Kammatographs, Pictorialographs, Birtacs and Biokams - all cameras designed for amateurs and enthusiasts to film and project in the home. This collection celebrates the earliest home movies preserved in Britain, and bears witness to the dawn of the amateur's long-standing fascination with family, travel and community. "The object in introducing this apparatus is to endeavour to popularize this extremely fascinating branch of photography.... [I have] always looked forward to the time when animated photography would be within the reach of every one" - filmmaker/inventor Birt Acres, on his Birtac camera, 1898.