Not Cricket
A cartoon Caribbean mini-musical scripted by a Nobel Prize winner and accompanied by a Trinidadian guitar legend
When it comes to pedigree, few adverts can claim such illustrious origins. This cartoon Caribbean mini-musical was scripted by V.S Naipaul, who was just starting a writing career that would garner him a Nobel Prize in Literature. Music comes from Fitzroy Coleman, a Trinidadian guitar legend, and the animation was from the ground-breaking Larkins Studio who were pushing at the boundaries of cartoon style.
Having collaborated with Larkins on the successful Put Una Money For There (also available on the BFI Player) for African audiences, Barclays were keen to explore a similar approach in the West Indies. The director of the commercial, Richard Taylor, recruited Coleman and fellow Trinidadian Naipaul to give some local authenticity to this tale of robbery and redemption. The characters were designed without faces on Barclays' advice to avoid representing people whose skin colour and racial origin varied throughout the West Indies. As an advert the film was considered a failure as West Indies audiences found it patronising and parochial to Trinidad. Ignore the spurious sales message and it remains a delight to watch today.
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Animated Ads
In cinemas and on TV, animated adverts have frequently outshone the main attraction. In the early days of the cinema, animated ads were often relative epics, with five-minute comic encounters leading to a pack-shot punchline. The arrival of commercial television in 1955 brought the animated ad down to bite-size, but if anything they packed an even harder punch. Advertisers found that animation could soften the edges of a hard sell approach, and bring cartoon brand characters to life.
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