White Men Are Cracking Up

1994-12-31
Sound
Closed captions
19m

The fatal fascination with the myth of the black feminine mystique is uncovered in Ngozi Onwurah's short

Masie Blue is an enigmatic Black Widow figure under investigation by detective Margrave for her involvement in the suicides of successful white men. Through the blurred lines of perception and reality, the myth of the black feminine mystique is explored under the guise of a murder mystery. Written by playwright Bonnie Greer, the film explores the fetishisation of Black women as a manifestation of white male insecurity.

Traces the last day in the life of a white detective, obsessed by a black 'street goddess.'

Black British Filmmaking

A selection of shorts and features by black writers and directors, from milestones of the 60s and 70s to contemporary hits.

For much of the history of British film and TV, black stories were overseen by white filmmakers. By the 1960s, black writers and directors were demanding to tell their own stories, in their own way. This collection celebrates the work of black storytellers who have enriched our understanding of the black British experience. Landmark features like Horace Ové's Pressure (1975) and Menelik Shabazz's Burning an Illusion (1981) stand beside earlier milestones in short filmmaking by Lionel Ngakane and Lloyd Reckord, and 1990s work by Isaac Julien and Julian Henriques. And you'll find hits by leading lights in new black British cinema, including Noel Clarke, Destiny Ekaragha and Debbie Tucker Green. The collection also highlights the work of Ngozi Onwurah, who became the first black British woman director to get a UK theatrical release with her extraordinary debut feature Welcome II the Terrordome (1995), a controversial dystopian fable unavailable for many years.