Wedding at the Grand in Plymouth
From the collection of
From the collection of
A joyous occasion of marrying a man in uniform as rare moving images are taken in Plymouth.
The wedding party is exiting the Grand Hotel in Plymouth in the era when it was common to marry in uniform. The groom is an RAF Flight Sergeant and this is also the era of rationing so beg, steal or borrow is the motto. Prospective newlyweds face the difficulty of sourcing a wedding dress while their guests offer a mishmash of fashion styles although hair in updos or victory rolls and a drawn-on back seam underneath stockings are the female fashion statements of the day.
Community spirit reigned supreme in the 1940s and weddings were often dependent on generous donations of coupons and wedding paraphernalia. The Grand Hotel was located on Elliot Street but has since been redeveloped into residential housing. This is a rare film donated by the Leatherby family. In 1934 Edward Stanley Leatherby became Mayor and in 1949 Edward's brother, Frank Geoffrey Leatherby became Lord Mayor. The brothers are also known for their amateur filmmaking and for having captured on 8mm film some important historical and cultural events for the City of Plymouth including the only known films taken during World War II because of a ban on all photography in and around the city.
Home movies are always acutely personal - in subject and perspective - and most were never intended for audiences beyond family and close friends. But even so, these private films share generously with the uninitiated stranger. Watching home movies transports us into other lives and other times, where the actions of people we never knew, in places we've never visited, resonate with our own memories. The home movies of the stars, the rich and the famous, the royals - see past the familiar faces and they're much like anyone's: intimate film portraits of loved people and places, colourful moving picture albums of experience and emotion. These simple point-and-shoot home movies seem to connect with the past in a profoundly authentic way - their images unfiltered by filmmaking technique and artifice.