Wedding Day - Jannaud Rides Again
From the collection of
From the collection of
The beginnings of a wedding videography industry as this home movie maker shoots to fill.
The home filmmaker records the intimate reception of a wedding reception. People are filmed in close proximity as the camera eyes up the guests. The framing is the same, there is little movement and no zooms or pans although exposure and focus are important and length of shot is not too rushed. Titles in the fridge magnet style of san serif VAG rounded typography are added and aimed at amusing the happy couple post celebration.
This is filmed on 16mm film but by 1965 8mm film was surpassed by Kodak's introduction of the Super 8 format on new easy-to-use cartridges and with improved images. By the 1980s the wedding videographer is helped by the introduction of Sony's first video camcorders. There were however many limitations including clunky equipment, poor single track sound and a point and shoot mentality. Today's wedding video is part of the wider wedding industry and can be almost as professional as a Hollywood production and may include anything from the actual surprise proposal to a noughties fad of trashing the wedding dress to create art.
Home movies are always acutely personal - in subject and perspective - and most were never intended for audiences beyond family and close friends. But even so, these private films share generously with the uninitiated stranger. Watching home movies transports us into other lives and other times, where the actions of people we never knew, in places we've never visited, resonate with our own memories. The home movies of the stars, the rich and the famous, the royals - see past the familiar faces and they're much like anyone's: intimate film portraits of loved people and places, colourful moving picture albums of experience and emotion. These simple point-and-shoot home movies seem to connect with the past in a profoundly authentic way - their images unfiltered by filmmaking technique and artifice.