Cwrt-yr-Ala - Twins
From the collection of
From the collection of
A newly-built, dream home in Michaelston-le-Pit, Cardiff, where industrialist H H Merrett's grandchildren have ample space to play.
Grandchildren of H H Merrett, Chair of Powell Dyffryn coal company, enjoy the grounds of a house he had built c. 1940 at Michaelston-le-Pit, Cardiff. Richard and Christopher Gridley, with matching blue coats, meet hens and piglets. Twins Sheila and Marion Chalmers, baptised on 30/4/1946, celebrate their 2nd and 3rd birthdays, their brother Alan present, with wheel-along polar bears, dolls' prams, cherries and cakes. They are wary of the camera, their manner quizzical.
Herbert H Merrett (1886-1959), a self-made man, started work at the age of 13 in the Cardiff docks offices of the Cory Bros. and rose to become Chair of Powell Dyffryn coal company. He was knighted in 1950 and in 1957 was made a ‘Chevalier de la Legion d'Honneur' in appreciation of the economic and cultural links he forged with France/Europe. In 1937 he purchased a house (built c.1805) that he had at once demolished and in its place a neo-Georgian mansion built – ‘Cwrt-yr-Ala - designed by architect Percy Edward Thomas. His daughters, whose children play in the gardens, were Joan (Gridley) and Margaret (Chalmers). His son Norman, who died in the RAF during WWII, had a spitfire named in his memory.
Home movies are always acutely personal - in subject and perspective - and most were never intended for audiences beyond family and close friends. But even so, these private films share generously with the uninitiated stranger. Watching home movies transports us into other lives and other times, where the actions of people we never knew, in places we've never visited, resonate with our own memories. The home movies of the stars, the rich and the famous, the royals - see past the familiar faces and they're much like anyone's: intimate film portraits of loved people and places, colourful moving picture albums of experience and emotion. These simple point-and-shoot home movies seem to connect with the past in a profoundly authentic way - their images unfiltered by filmmaking technique and artifice.