A Visit to Beijing and the Forbidden City
From the collection of
From the collection of
Beijing's Forbidden City is the star attraction in this film from the late 1920s, featuring historic buildings, the Lion's Gate and an early panorama across the city.
This short film features a Forbidden City surprisingly devoid of visitors, apart from a fur-clad Charlotte Simpson, who appears in many of the scenes. Both the Inner and Outer Courts within the Hall of Supreme Harmony can be seen as well as various views of the Lion's Gate. The film ends with a panoramic view across Beijing, taken from the Simpson's balcony, while below a semi-circle of rickshaws await their drivers who are busy examining a motorcar.
William Simpson, who made this film, worked for the Bradford Dyers Association in Shanghai, at Number 1, The Bund. His wife Charlotte was born in China's Lushan mountains and she married William, who originally came from Bradford, in Shanghai's St Ignatius Roman Catholic Cathedral. The couple left Shanghai before the city was overrun by the Japanese Army and by 1938 had left China for good. The few visitors to the Forbidden City, as seen in this film, contrasts sharply with the Chinese government's announcement in April 2014, that it intended to limit the number of visitors to the complex, which currently stands at 7 million visitors per year.
Beijing has been at the heart of China's political and cultural life for almost a thousand years. Though much of its ancient fabric is preserved, swathes of the city were lost in decades of urban regeneration projects. So these films from the first half of the 20th century open a window on to the city's lost past. Chinese filmmakers weren't active when the earliest films of Beijing (then known as Peking) were made, so these British and European films are among the only moving images of that time.
Thanks to these pioneering cameramen, we can witness everyday life in the last years of the Qing dynasty, make our way from the European quarter of the city to the magnificent Forbidden Palace and the bustling Grand Canal, or roam the streets around the Qianmen gate. These often amateur cinematographers offer us a fresh look at a majestic and complex city, from the palaces and pagodas of Beihai Park, a trek around the Great Wall with intrepid honeymooners, to a cruise down the Grand Canal to Shanghai. This may be a Beijing seen through western eyes, but they are the eyes of a rapt enthusiast, not a jaded tour guide.