A Trip to Guandong Aboard the Lion Steamer with Friends

From the collection of

Screen Archive South East at the University of Brighton collects, preserves, catalogues and provides public access to its collection of films and magic lantern slides. The collection charts the rise of screen culture in the region and the nation and captures many aspects of life, work and creativity in the South East from the late 19th century to the present day. It is available for research, screenings, creative re-use and commercial access.

A Trip to Guandong Aboard the Lion Steamer with Friends

Screen Archive South East at the University of Brighton
Guangzhou
1929-01-01
Silent
4m

We're all aboard the steamer Lion, cruising towards the bustling city of Guanzhou. We also see Chinese workers in traditional headgear toiling in the scorching countryside.

In this remarkable film we see the Simpson's onboard the steamer Lion, heading towards Guanzhou, once known as Canton. After passing a variety of river traffic we next see panoramas and street-scenes of the bustling city before driving into the countryside where farm workers are seen harvesting crops. Wearing large hats or using umbrellas all seek shade from the searing heat of the sun. The film ends with scenes showing Chinese passengers disembarking from the Lion.

William Simpson, who made this film, worked for the Bradford Dyers Association in Shanghai, at Number 1, The Bund. His wife Charlotte was born in China's Lushan mountains and she married William, who originally came from Bradford, in Shanghai's St Ignatius Roman Catholic Cathedral. The couple left Shanghai before the city was overrun by the Japanese Army and by 1938 had left China for good.

Hong Kong - Fragrant Harbour

Discover a Hong Kong before the tide of modernity swept all before it, a land of striking contrasts where old and new, European and Chinese shared a crowded island.

Hong Kong before the skyscraper: it's barely possible to imagine today. But this collection of films shows island life before the steel-and-glass towers and the elevated expressways, when Hong Kong and the neighbouring New Territories were still parts of a rugged but rapidly developing outpost of the British Empire.

Visit the genteel colonial centre, including the long-gone Hong Kong Club; explore the waterfront streets around Wan Chai and Causeway Bay, before the major land reclamations of the 60s and 70s pushed them inland. A few select landmarks in the footage can still be seen today, notably Aberdeen Bay, the Peak Tram and Victoria Harbour. But what these films preserve is a largely lost Hong Kong, a city whose recent past is vanishing and whose ever-shifting landscape is fading from recognition.

The films are rich in contrasts. Traditional Duanwu Festival dragon-boat racing share the waters with Royal Navy warships enjoying the interwar calm. While peasant farmers bend their backs in the New Territories paddy fields, expat Brits tour the colony in motorcars. As today's Hong Kong faces yet more uncertainty and change, these films highlight a very different time on the crowded island where East met West.