Jew Süss

Content warning:

Contains depictions of antisemitism

Trigger warning:

Suicide

I accept this guidance

Jew Süss

1935-01-07
Sound
Closed captions
108m

Conrad Veidt plays a Jewish man seeking power in the British version of Lion Feuchtwanger’s novel, later adapted by the Nazis

Unlike the horrifically antisemitic 1940 Nazi propaganda film, Lothar Mendes’ adaptation of Lion Feuchtwanger’s book offers a fairly sympathetic depiction of a Jewish man (Conrad Veidt) who seeks political power in order to improve the plight of Germany’s Jewry. Despite some unpleasant stereotypes - Suss is scheming and ruthless - the film is ultimately on his side, and the ending is deeply moving.

While films about the rise of fascism in Europe were hindered by censorship, producer Michael Balcon hoped that the scenes of racism would draw attention to the Nazi persecution of Jews, despite the 18th century setting. The scene in which a Jew is falsely accused of killing a Christian woman, to use her blood for Passover rituals (the notorious 'blood libel'), is particularly disturbing. The film was a box-office success, although Observer critic CA Lejeune suggested that the money should have been spent on a feature about British industry rather than “a film about a little German municipality of 200 years ago”.

Jewish Britain

Jewish life on screen: a century of insights and hidden histories

This collection uncovers insights, injustices and hidden histories across a century of Jewish life on British screens. It brings together documentary and first-person accounts of Jewish life in the UK, alongside historical dramas and artists’ work exploring the 20th century Jewish experience. The earliest surviving depictions of Jewish characters in British cinema offer a troubling insight into antisemitic representation, yet prejudice was later tackled head-on, with newsreels documenting the anti-fascist movement of the 1930s.

Drop in on joyous family weddings and community gatherings, and see the ways in which UK Jewry supported Jews young and old, and those fleeing persecution, in a selection of fascinating films from the 1900s to the 1980s.

This collection is generously supported by the Neil Kreitman Foundation, Shoresh Charitable Trust, John S Cohen Foundation, and Harold Hyam Wingate Foundation.