A few adventurous film companies journeyed to South Africa to capture (mostly heavily sanitised) film documents of the Second Boer War (1899-1902). Mitchell and Kenyon, like most others, stayed at home, choosing instead to film reconstructed or dramatised war stories. But as they visited towns and cities across the North, M&K also captured the jubilation that greeted homecoming troops.

There's no sign here of public misgivings about what had been a brutal and hard-won war, nor any hint of disrespect for the military commanders who appear in several films. Instead, the overwhelming focus is the ranks of ordinary soldiers, and the collective joy and relief for their safe return.