The Dales Diary [24/08/2008]

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North East Film Archive
The North East Film Archive, based at Teesside University, save and celebrate the screen heritage of the North East of England. At the heart of their collection are films made by, and for, local people, reflecting and representing the communities, places and distinctive identity of the region. Together with their sister archive in Yorkshire they form the Yorkshire and North East Film Archive, a unique pan-regional resource with over 75,000 moving image artefacts, part of York St John University. They unlock the collections for artists, academics, curators, programmers, researchers, and producers to reveal compelling stories from the vaults. www.yfanefa.com

The Dales Diary [24/08/2008] (Dales Diary)

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The mysteries of the Turners Guild are all in a day's work for the busiest postman in the Dales.

This week's episode of The Dales Diary begins in the town of Hawes in Upper Wensleydale, where presenter Luke Casey meeting energetic jack-of-all-trades Ivor Grace. Ivor, originally from London but having lived in the Dales for 30 years, is the local postman, and a woodturner, as well as a passionate horse carriage driver.

Next, Luke meets the widow of American painter Sam Francis, Margaret who returned to Yorkshire and has worked to restore Gledstone Hall near Skipton in Sam's memory. Margaret speaks with Luke both about the restoration work, her relationship with Sam as well as her own art. In the final report, Luke Casey meets countryman Bill Grieve near his home near Wooler in Northumberland. Bill worked in the outdoors all his life, until ill-health meant he had to give it up. He talks to Luke about his days as a gamekeeper, fisherman and shepherd, as well as showing Luke his stick-making skills.


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The Rural North East

Flesh-eating plants, blonde hedgehogs and other natural marvels await in the rural North East.
Charles Boden is a farmer's son who read English at Oxford University before becoming an agricultural journalist. Keen to capture what he saw as a vanishing way of life in rural England, he moved to Tyne Tees Television in 1985 to produce programmes about farming, nature and rural traditions in the region. He is best known for his film 'The Last Horseman' which followed a year in the life of the last farm in Britain to still use horse power instead of machinery.

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The Dales Diary [24/08/2008]

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